Festival report of Fall of Summer Festival 2017

Festival report of Fall of Summer Festival 2017 –  Torcy, France; 8-9th of September 2017

Report by Estelle on the 12th of October 2017

foslineup.jpgIn spite of last-minute band cancellations as well as some unpleasant weather conditions, Fall of Summer turned out to be again one of the most varied and quality festivals of the year. It seems that more and more metal enthusiasts recognize this fact: Not only attended this year markedly a lot more fans of black, death, thrash, heavy and doom metal than in the previous years, but the visitors’ scene also got much more vivid and international.

FRIDAY, 08.09.2017

Broken Hope, starting at 14:15, showed us into what we can expect from the festival death metal-wise with some serious massive riffs and rotten, pestilent growls. Their setlist was very diverse consisting of songs off their older as well as newer titles; all played with violent energy.

German speed/heavy/power cheese-kings Grave Digger took over. Starting with the title track of their newest (and most definitely not strongest) album ‘Healed by Metal’ from 2017 I was already considering leaving, and merely with two songs off their 80s’ classics, Witch Hunter and Heavy Metal Breakdown, they did not come close to convincing – not to speak of Boltendahl’s non-consistent voice and the “clap your hands”-style encouraging. They are trying, which is undeniably respectable, even though one sometimes wishes they didn’t.  

Fortunately, the unique experience of witnessing a (Tribute to) Sortilège show among the French not only eased my misery but also gave back my enthusiasm for the rest of the day: One could not extract themselves from this huge French karaoke nor from acquiring a part of the warm, collective feeling coming with it.

fos-sortilege-w.jpg

(Ttribute to) Sortilège| Photo: Estelle

Vocalist Alexis d’Hürlement accomplished the effortful task of having to take the place of genious starting Sortilège singer Zouille with ease and joy, stealing the show even from the three original members showing up on stage for the single closing song, Marchand d’hommes. It can be contemplated on why the long-announced three original members (drummer Jean-Philippe Dumont aka ‘Bob Snake’, bassist Daniel ‘Lapin’ Lapp and guitarist Didier ‘Dem’ Demajean) only made an appearance for one song at the very end, on why it seemed like it was simply a duty for them or on why the group did not play ‘seen-as-obligatory’ titles such as Chasse Le Dragon or Mourir Pour Une Princesse; however, I was personally so amazed by being able to hear the well-composed setlist live with Hürlement’s fitting voice that I rather concentrated on enjoying the moment.

(Tribute to) Sortilège’s setlist on the 8th of September 2017, Fall of Summer festival, France:

  1. D’ailleurs
  2. Progéniture
  3. Métamorphose
  4. Quand un aveugle rêve
  5. Messager (w/ Gil Di Bravo)
  6. Gladiateur
  7. Sortilège
  8. Délire d’un Fou
  9. Marchand d’hommes (W/ Bob Snake, Daniel ‘Lapin’ Lapp and Didier ‘Dem’ Demajean)
fos-merciless1-w

Merciless | Photo: Estelle

My cheerfulness boosted as after the last notes of (Tribute to) Sortilège I again became conscious of the fact that I am going to catch Merciless for the second time: The Swedish death/thrash veterans have reformed last year for a handful of dates across Europe before splitting definitively at the end of 2017.
How their show was? Nothing but Pure Hate. Regarding their energy and the quality of their performance, they gave a show that was comparable to the one given at the Swedish Muskelrock with nonstop savagery, insane speed and not a moment to breathe. On a side note, even though the audience seemed to be more into the show as on Muskelrock, the pit still didn’t turn into the biggest one on the festival – which I did not let distract me from how I personally enjoyed the show. A chain of cruel shows like that for a year before saying goodbye to the industry: real tricky, Merciless, real tricky!

Getting into the crowd of the French progressive rock group Magma after a Merciless gig is like slipping into a pot of warm, steaming, whirling soup as a portion of carrots after already being peeled and chopped.
Magma, reflecting my expectations, completely hypnotised: it is not every day you have the chance to see a symphonic rock band with jazz elements, singing most of their lyrics in a constructed language, Kobaïan. Eerie, impressive and engaging enough to get you completely forget about the rain.

fos-location2-w.jpg

Île de loisirs de Vaires Torcy | Photo: Estelle


Meanwhile we were spending a bit of time in our tents trying to (unsuccessfully) dry ourselves off, Blasphemy took over, not giving a damn about the pouring rain nor the audience’s religious views, managing to attract and override many enthusiasts with their unmistakable, profane music, lyrics and attitude. Studs, bullet belts, inverted crosses, corpsepaint and the obligatory evening-hour sunglasses highlighted the experience of seeing the satanic Canadian death/blackers live.

Blasphemy’s setlist on the 8th of September 2017, Fall of Summer festival, France:

  1. War Command
  2. Blasphemous Attack
  3. Gods of War
  4. Darkness Prevails
  5. Desecration
  6. Nocturnal Slayer
  7. Emperor of the Black Abyss
  8. Hording of Evil Vengeance
  9. Goddess of Perversity
  10. Weltering in Blood
  11. Blasphemy
  12. Fallen Angel of Doom
  13. The Desolate One
  14. Demoniac
  15. Atomic Nuclear Desolation
  16. Empty Chalice
  17. Ritual

The celebrated Canadian speed/thrash group Annihilator followed with a rather typical but not in any way dull festival setlist with lots of old-time classics such as Set the World on Fire, W.T.Y.D., Alison Hell, Phantasmagoria and Human Insecticide, besides the characterless newer titles. I am curious if Jeff Waters ever gets to the idea of playing the whole ‘Alice in Hell’ record live within a (festival)tour, much to the delight of the long-term fans; until then we ought to content ourselves with their (still decent and very much enjoyable) current shows.

Primordial are a band that consistently manage to give back the atmosphere and spirit of their records live while also retaining the quality of their sound. As the last act, the Irish group gave this particularly bleak and wet day a graceful and pleasing end with a well-chosen setlist together with their perceivable dedication. Always a pleasure.

Primordial’s setlist on the 8th of September 2017, Fall of Summer festival, France:

  1. Intro
  2. Where Greater Men Have Fallen
  3. No Grave Deep Enough
  4. Babel’s Tower
  5. As Rome Burns
  6. Gods to the Godless
  7. The Coffin Ships
  8. Empire Falls


SATURDAY, 09.09.2017

As Saturday’s first, I went to see Toxik in the foreday’s mud. Expanded with their three new tracks off their 2017 EP ‘Breaking Class’ we got all the relevant 80s’ songs delivered, played decently but not as enthusiastically that I would have felt the need to get myself further into the crowd. It was, however, certainly heart-warming to see that after years and years of a break the US thrash band enjoys being on stage so much and that frontman Charles Sabin cannot thank the crowd enough for coming – Not to mention their action of inviting a French fan onto the stage to help them with the guitars on False Prophets.

fos-countraven-w.jpg

Count Raven | Photo: my good friend Gábor Oláh

I did not exactly know what to expect from Count Raven’s live performance. So what did I get? Surprisingly engaging, gloomy, harmonized riffs with not at all banal or worn-out lyrics, coupled with the feeling of tranquillity and the sand below my feet standing at the Blackwaters stage on the lakeside. Everything they do feels real: with a presence and setting much less theatrical than by bands of the same genre (see: Candlemass), the Swedish Count Raven managed to both convey the message they meant to through their music and show us how sincerely they mean it. Anytime again!

 


Moving on to Bulldozer, one of the groups from the high-class lineup that I was hoping to see live for years already, I found myself standing on side of the stage-separating hill in the drizzling rain, staring at A.C. Wild and his group from underneath a yellow bin liner-like raincoat and being mesmerised. A strong, fierce performance with engaged people moving around, where fortunately even the weather did not succeed to make it difficult to interpret A.C.’s words “It’s fucking whiskey time!”, AS IT WAS ALREADY FREAKING WHISKEY TIME. Show: 9.5/10, Weather: 3/10, People who gave a damn about the weather on average: 1/10.

Bulldozer’s setlist on the 9th of September 2017, Fall of Summer festival, France:

  1. Neurodeliri
  2. IX
  3. Desert!
  4. Ilona the Very Best
  5. The Derby
  6. Impotence
  7. Minkions
  8. The Final Separation
  9. Ride Hard – Die Fast
  10. Whisky Time
  11. Willful Death
fos-demolitionhammer1-w.jpg

Demolition Hammer | Photo: my good friend Gábor Oláh

Always tearing every stage and crowd apart, Demolition Hammer did not let us down this time either. Overwhelming power and tight thrash riffs at lightning speed with corresponding (but mostly moshing and fighting) fan-reaction: the old school US-thrashers once again managed to become the most impressive act of a festival, leaving absolutely no chance for the nomination for the upcoming bands.

 

 

Demolition Hammer’s setlist on the 9th of September 2017, Fall of Summer festival, France:

  1. Skull Fracturing Nightmare
  2. Carnivorous Obsession
  3. Hydrophobia
  4. Neanderthal
  5. Omnivore
  6. Infectious Hospital Waste
  7. Aborticide
  8. Human Dissection
  9. .44 Caliber Brain Surgery
fos-morbidsaint-w.jpg

Morbid Saint | Photo: my good friend Gábor Oláh

As the first notes of the starting Destruction System could be heard, we were hurrying to the Sanctuary stage to get our heads ripped off by another American thrash-pioneer group Morbid Saint. As after the introduction of two decently written new songs (Flesh of the Disease and Daku) recent vocalist Cliff Wagner announced that they are about to play the whole ‘Spectrum of Death’, I was blown away, I thought they bought me and that there would be no place for critique in the concert report afterwards. I was wrong: The fact that the only original member who partook in the makings of their demos and ‘Spectrum of Death’ is guitarist Jay Visser, has its strong effect not only on the band’s image but also on its sound, together with the members’ engagement. As I see it, Cliff’s hardcore appearance and vocal-style does not fit the fans’ idea of 80’s Morbid Saint either, which results that one of the most brutal thrash metal records of all time played in its entirety live sounds ungenuine and flat.

Due to the hustling-bustling audience, Coven’s show showed an utter contrast regarding the attitude and overall feeling to their gig on Muskelrock. On Muskelrock every single bystander-listener behaved themselves quiet, engaged and observant and so not only they, but also the band was able to empathize the theatrical obscure, ritual-like mood that is relevant for a Coven show. On the contrary, at Fall of Summer the audience was loud and chatty, not giving the band the chance to deliver a spirit of obscureness. Uncommonly, vocalist Jinx was even talking, storying, introducing the band and thanking the audience for coming between the songs, which absolutely contradicts one’s expectations of a show of the American psychedelic rock band.

fos-coven-w

Coven | Photo: my good friend Gábor Oláh


Even despite the fact that Jinx with her 67 years is understandably not able to sing the higher tones anymore, her presence on stage can by no means be overlooked: Stepping out of her famed-for coffin; wearing her glimmering masque and scenically getting rid of it after the first few songs; tenaciously standing in one place for the whole concert-duration with no sudden moves, just the slow, gentle, (Wicked) Womanly hand-movements.
Even though the show was not free of defects and mistakes (e.g. error message at the screen at the back of the stage displaying rituals), hearing this top setlist – from where the only song that I personally missed was Lost Without a Trace – and going through the Coven-experience live still made me feel it was magic.

Coven’s setlist on the 9th of September 2017, Fall of Summer festival, France:

  1. Out of Luck
  2. Black Sabbath
  3. Coven in Charing Cross
  4. White Witch of Rose Hall
  5. Wicked Woman
  6. The Crematory
  7. Choke, Thirst, Die
  8. Black Swan
  9. Dignitaries Of Hell
  10. F.U.C.K
  11. Epitaph
  12. Blood on the Snow

Marduk‘s setlist on the 9th of September 2017, Fall of Summer festival, France:

  1. Frontschwein
  2. The Blond Beast
  3. Of Hell’s Fire
  4. Materialized in Stone
  5. The Levelling Dust
  6. Throne of Rats
  7. Cloven Hoof
  8. Wartheland
  9. Legion
  10. Wolves
  11. Panzer Division Marduk

To my sadness, the festival ended for me with an exceptionally disappointing Venom show.

fos-venom1-w.jpg

Cronos | Photo: my good friend Gábor Oláh

Not only did Cronos have constant problems with the sound, but he even let the audience have a look behind the scenes by behaving himself extremely unprofessionally. Whispering something to the soundman every two minutes, changing bass guitars three times, making perplexed announcements like “As you can see we have some problems here *hehe*”: Am I the only one who does not feel any Satan or black metal here?

Comical, out-of-context fire effects, the abuse of the original lyrics, unenjoyable dull singing, puzzled faces and the feeling of disappointment. The man of the show who even managed to ‘save’ the situation to some degree was drummer Danté with his overwhelming energy, showing he is having fun at what he is doing, making crazy faces at photographers and simply trying to distract our attention from Cronos’ obnoxious unprofessionalism.

 

fos-venom3-w.jpg

Danté | Photo: my good friend Gábor Oláh


Surprise of the day: The fire effects without proper music are apparently not enough to satisfy the needs of thousands of Venom- and evil-hungry people.


And now, to sum up…

Strongest standout bands: Demolition Hammer, Bulldozer, Merciless, (Tribute to) Sortilège

fos-location3-w.jpg

Île de loisirs de Vaires Torcy | Photo: Estelle


Main impressions:
+ still an excellent location; high-class lineup; no delays; decent sound; a great variety of genres; open-mindedness
– pricey and not-that-tasty beer; no shelter from the storm; music genres in the after parties ranging from 80s pop to Rammstein

Recommendations: Go!

Find more information at: http://fallofsummer.fr/
Photos were used by ‘Estelle’. Special thanks for his generous help with the photos to my good Hungarian friend Gábor Oláh.

Advertisements

Happy 35th!

Happy birthday to one of the most significant basics of the genre metal in general.

My lungs gasp for air, my eyes scream for sight 
I promise the rise of my body this night
Summon the dead…
Baphomet’s call…
Blood on my hands…
Screaming in torment

Festival report of Brutal Assault XIX.

Festival report of Brutal Assault XIX. – 6-9th of August 2014

Report by Estelle on the 29th of August 2014

The 19th edition of the well-known metal festival Brutal Assault took place in Jaromer, Czech Republic from the 6th to the 9th of August 2014. A place where the beer is cheap, the atmosphere is pleasant, the bands are merciless and the free-time activities are numerous: besides seeing approximately 80 bands on the two main stages and one smaller tent namely the Metalgate stage, you get the chance to watch some classic movies at the horror cinema, to study an exceptional metal exhibition with diverse well-known artworks and to have fun at the green chill-out zone.

I would attempt to write a few words about the bands I managed to see.

August 6th, Wednesday

For me the festival started at 17:10 on Wednesday with the old American power/heavy band Flotsam & Jetsam. As the re-recorded version of their second album from 1987, No Place for Disgrace just came out they took the chance to play many songs off it. They noticeably don’t possess the same amount of energy and “freshness” as back in the day therefore the crowd got the this-is-not-enough feeling at times – it was still an enjoyable show recalling some aged classics, though.

At 20:55 Terrorizer got on stage with many people in front of them being curious about one of the oldest representatives of death metal/grindcore. Their sound was quite chaotic especially at the first 2-3 songs but they were still full of energy and played a decent old school setlist mostly consisting of tracks off their album from 1989, World Downfall. Despite the rough sound the drumming was flawless: it’s clear that Pete Sandoval (ex-Morbid Angel) knows what he is doing.

Venom – Photo: Petr Hoffelner

Venom – Photo: Petr Hoffelner

At 21:55 the day’s prime act, the mighty Venom hit the stage powerfully with the ultimate classic ‘Black Metal’ – in spite of the not-so-perfect sound at the beginning the crowd was already going crazy. Poisonous atmosphere, pounding rhythms, ecstatic state of mind, spectacular stage-set with the inevitable pyrotechnics and many, many insane people: bodysurfing and a large moshpit even at the mid-tempo tracks. The bestial Venom’s setlist included lots of old classics from the early ’80s; although this time they left out the nearly always mandatory ‘Countess Bathory’.

Venom’s setlist:

  1. Black Metal
  2. Hammerhead
  3. Bloodlust
  4. Possessed
  5. Live Like an Angel (Die Like a Devil)
  6. Buried Alive
  7. Antechrist
  8. Hail Satanas
  9. Rise
  10. Pedal to the Metal
  11. Resurrection
  12. The Evil One
  13. Welcome to Hell
  14. Warhead

August 7th, Thursday

Thursday started with the new school American thrash metal band Havok. They apparently didn’t mind playing early before noon: the guys got every thrash fanatic moving and forming a huge moshpit in the heat by their absolutely dynamic show.

After Havok we got to see the death/thrash band Pentagram Chile also playing surprisingly powerfully and tightly with a clear sound and one fairly large crowd in front of them.

brutal2-onslaught

Onslaught – Photo: Estelle

At 2 pm Church of Misery came and brang some magic to the stage with their twisted, doomy riff-flow throughout the gig which distracted people away from their everyday mindsets for about 40 minutes. After them came a great shot of brutality by the UK guys Onslaught who were no doubt one of the most enjoyable thrash acts of the festival. They equally played from their first two (Power from Hell, The Force) and newer albums and every one of their songs sounded extremely powerful live – proving this it is enough to mention the size of the moshpit they have generated.

At 15:20 American death metal/grindcore band Misery Index tore the place up and gave an intense show in 40 minutes. Then I got to see the Hungarian technical death band Gutted on the Metalgate stage who were probably unknown to most people yet created one killer atmosphere that the crowd in the little tent also started to feel.

brutal2-obituary

Obituary – Photo: Estelle

At 18:10 we got to the highlight of the day with probably one of the most cruel old school death metal bands existing, Obituary. Standing in the second row I have never had as many people falling on and through my head as on their show, the overall mood was absolutely crazy. Just like in case of Venom, everyone was out of their minds right at the moment when the first note of the guitars could be heard – and as a consequence of the short but mostly old school setlist, people didn’t stop fighting, pushing and bodysurfing for a moment. The sound might have not been the best at the front but the completely enthusiastic audience did not seem to care, Obituary’s performance was among the best ones of the festival.

Obituary’s setlist:

  1. Chopped in Half
  2. Turned Inside Out
  3. The End Complete
  4. Inked in Blood
  5. Slowly We Rot
  6. Intoxicated
  7. Bloodsoaked

Then came the also entirely crushing gig of Suffocation who did not let the crowd take a deep breath after Obituary at all, they ripped and left everyone in the dust by their brutal, technical death metal music.

Even though Bring Me the Horizon is definitely not my kind of music, as far as I could notice they have attracted plenty of people enjoying metalcore and the dynamic gig of the British band after the different-style Suffocation. At the same time there were Inquisition playing on the Metalgate stage with far less people being curious, but the two-piece representatives of black metal were worth to see: they brang such an atmosphere to the small tent that the thrilled tension they have created was almost touchable.

At 21:40 on Thursday, the headliner of the XIXth Brutal Assault festival, Slayer hit the stage.

brutal1-slayer

Slayer – Photo: Petr Hoffelner

In general I would have to say it was a disappointment regarding both the sound and the energy and enthusiasm of the band members. One of the oldest and most famous thrash metal band’s setlist completely consisted of old songs except ‘Hate Worldwide’ and ‘Disciple’ and it still felt like they were simply weak and faint, not even approaching the group they used to be back then – nothing to be suprised about with only two of the original members, though. The lineup was solid: we got Tom Araya on vocals and bass, Kerry King on guitars, Gary Holt (Exodus) on guitars replacing Hanneman and Paul Bostaph (ex-Exodus, ex-Forbidden, ex-Testament) on drums replacing Dave Lombardo again – but the difference between their older shows and the one perfomed on Brutal Assault was clearly appreciable.
The setlist was definitely a plus with songs not often performed (e.g. ‘Captor of Sin’), but sadly the atmosphere and overall mood did not get close to what they were able to do long ago or even a few years back.

Slayer’s setlist:

  1. Hell Awaits
  2. The Antichrist
  3. Necrophiliac
  4. Mandatory Suicide
  5. Hate Worldwide
  6. War Ensemble
  7. Postmortem
  8. Captor of Sin
  9. Disciple
  10. Seasons in the Abyss
  11. Dead Skin Mask
  12. Raining Blood
  13. Black Magic

Encore:

  1. South of Heaven
  2. Angel of Death

After the main headliner, (the lots of) fans of melodic death metal had the chance to see one of the largest bands of the genre, Children of Bodom. Again melodic death is not my kind of music but the huge crowd seemed to be enjoying what the popular Finnish group was doing.

August 8th, Friday

On Friday the first act I was able to see was the American black/thrash band Skeletonwitch, whose show did not give much to me – the way how they played their music was somewhat boring, a little too modern and on account of the vocals did not seem to be black/thrash metal (how the band is originally labeled). After them came Fleshgod Apocalypse whose music doesn’t exactly fit my personal taste either, yet their show was strikingly powerful and had some kind of an unexplainable atmosphere that did get the audience moving.

Unleashed – Photo: Estelle

Unleashed – Photo: Estelle

At 17:35 we got to the top of the day still in daylight with Unleashed. The beginning of the Swedish old school death metallers’ performance did not have a strong impact on the curious people but afterwards from the second-third song, as we got to the catchier tracks and more effective commentaries from enthusiastic frontman Johnny Hedlund, people started fighting. Unleashed basically only played newer songs from 1997 on but the gig was still totally energetic reaching its top with the incredibly fast song ‘Hammer Battalion’.

At 7 pm Six Feet Under with ex-Cannibal Corpse vocalist Chris Barnes got on stage and tore the place up. They were full of energy, they were loud and they had a satisfying sound. They have also played two Cannibal Corpse songs at the beginnging and end including ‘Hammer Smashed Face’, giving some frame to the show.

After them on the Metalgate stage ex-Pungent Stench guitarist/vocalist Martin Schirenc gave a fairly long show and played old school Pungent Stench songs under the name of “Schirenc plays Pungent Stench” as some kind of a tribute to the split-up death metal band with three other musicians. Fanatic people who knew the songs off their first two albums were extremely keen about hearing them live so that the crowd filling the tent was moving all along.

In the evening one of the headliners, The Devin Townsend Project with frontman Townsend, vocalist of Strapping Young Lad came and played a long set to the enthusiastic audience. I personally do not understand much from their music, although their sound was good and their fans were all satisfied with what they have seen.

Similar case occurs with another following headliner, Amon Amarth. I was never a fan of melodic death metal nor the idea that Amon Amarth presents but one cannot deny the fact that the Swedish band knows how to collect fans: almost everyone who attended the festival was standing in front of the main stages and seemed to be impressed by the scene.

As the last performance of Friday we got to see Broken Hope at midnight who gave an energetic death metal show to many people in the audience.

August 9th, Saturday

On the last day in the afternoon Impaled Nazarene, the Finnish black band played passionately to an equally energetic crowd. Later at 17:25 came the American Christian metalcore band August Burns Red whose music barely has anything to do with the other acts of the day but who managed to obtain a huge fanbase watching them playing on the festival.

Sodom – Photo: Petr Hoffelner

Sodom – Photo: Petr Hoffelner

Right after them on the other large stage one of the bands holding my greatest expectations, Sodom was already tuning. As they finally started the show filled with old classic thrash songs the pit got even bigger than on Obituary and the same amount of people started enjoying themselves bodysurfing. Unfortunately Sodom’s sound, at least in the front, was not as good as expected: I personally know the lyrics of almost all the songs they played and the sound was so chaotic at some parts that the tracks weren’t recognizable for 30-40 seconds. Still, the huge moshpit and incredible amount of pressing didn’t stop and people managed to sing along with vocalist Tom Angelripper.

Sodom’s setlist:

  1. Agent Orange
  2. In War and Pieces
  3. Outbreak of Evil
  4. Surfin’ Bird (The Trashmen cover)
  5. The Saw Is the Law
  6. City of God
  7. Stigmatized
  8. Sodomy and Lust
  9. Blasphemer (end with Venom´s Black Metal)
  10. Remember the Fallen
  11. Ausgebombt
Photo: Petr Hoffelner

Photo: Petr Hoffelner

At 19:40 in the small tent we got to see the old school death metal/grindcore group Repulsion who played their album from 1989, Horrified as a whole with a modified order of its tracks. It doesn’t happen everyday that one gets to hear an entire album at a festival therefore the audience was really cheerful and lively.

Later on the large stage another headliner, the Czech death(/thrash) band Krabathor gave a surprisingly intense performance. Then even more people gathered and watched the popular Down labeled as “southern metal” – again a band that doesn’t meet my taste completely, their show seemed to be rather leisured than heavy to me, even though many others were enjoying it.

At 10 pm came the old school death guys Benediction on the Metalgate stage – even Repulsion and Schirenc plays Pungent Stench filled the tent up, and this time the small stage was a bad choice for Benediction: there were 1,5-2 times more people seeing them than the size of the place. The show itself was short but extremely massive – they got everyone moving and forming a giant circle pit in the middle of the tent, running round and round listening to the brutal old school sounds.

After them the Norwegian black band Satyricon played a quite long setlist to the plenty of black metal fanatics rejoicing at the show.

Late at 00:25 the unique gothic/doom group My Dying Bride gave a performance to lovers of their kind with just a few long, extensive doomy songs of theirs.

Photo: Petr Hoffelner

Photo: Petr Hoffelner

And then eventually we got to the closing act of 2014’s Brutal Assault: Hail of Bullets at 01:20. Martin Van Drunen’s (Asphyx, ex-Pestilence) voice is still as perfect as ever and doubtless one of the best voices of death metal in general – he sounded flawlessly on stage with the band in the background performing their brutal, catchy old school riffs. The only downside I could mention was the rather funny fact that Van Drunen was talking or even whining for almost a minute between every track they played – he told us three times that guitarist Stephan sadly couldn’t be there, he made birthday announcements, he called Master’s Paul Speckmann up on stage and he was constantly thanking the crowd for coming – I had the feeling that they could have played two-three more songs if he only said a few words between the songs. But judging by their show people don’t have many things to complain about: Hail of Bullets gave an appropriate ending to the festival with an absolutely energetic way of playing and with a lot of people even at this late hour.


Summarized, strongest standout bands for me were: Venom, Onslaught, Obituary, Unleashed, Hail of Bullets.

On the whole, in spite of every minor problems mentioned, the XIXth Brutal Assault was absolutely worth going to, both regarding the overall experience and the financial part of the festival. Do not miss out on it next year!

Find more information at: http://brutalassault.cz/en/
Photos were used by ‘Estelle’ and Petr Hoffelner (http://brutalassault.cz/en/).

Brutal Assault 2014

So we went to BA 2014 and it was simply awesome, this is close to being my best summer for years now!
I was lucky enough to have a press pass, I did an interview with John Tardy of Obituary, I would have done one with Martin Van Drunen as well but unfortunately Hail of Bullets cancelled their signing session and my interview with it too. I was also extremely lucky so I could quickly do a pic with master Cronos and the others from Venom. We stood in the 4th row at their show and they KILLED, I also went to the pit for a few songs and got a scar that still hurts :D
I was in the pit on Onslaught as well, have to say I couldn’t get out from there without scars either (yeah I’m such a rebel, wow :D) but it was for sure worth it. Sodom, Obituary and Unleashed were the three other highlights for me, we were in the 2nd-3rd row on all three, crazy crowd, great atmosphere, awesome shows!

This is all for now, here are some random pics, I’ll also post an extensive festival review later [read it here], along with the Tardy-interview [here] and another large interview which is for now a secret :D Take care!