Metalegion Magazine #2

metalegion#2

Purchase the issue HERE

The second issue of Metalegion Magazine, another exciting project I am contributing to is now out and ready to be purchased for the fair price of 6€ (printed version) or 0.99€ (digital version)! Besides lots of other highlights, the issue features my in-depth interviews with top acts of the metal scene like Running Wild or Sodom, a few reviews as well as an extensive festival report of the French Fall of Summer Festival 2017; written under the name of Estelle.

92 English-written, full colour pages + a 79 minutes Sampler CD covering metal bands from different genres ranging from Heavy to Brutal Death Metal: If this sounds good to you, don’t hesitate and support us by purchasing the magazine HERE!

We’re really thankful and will get to work soon with the third edition. Couldn’t be more excited! :))

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MERCILESS (Swe) video interview

I’m incredibly happy I got the chance to interview Merciless (Swe) at the Fall of Summer festival 2017 – check the result here! Topics include: Euronymous, Deathlike Silence, Morbid’s Dead, bad decisions, Fredrik Karlén, the ending of something and Kate Winslet. Enjoy!

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Festival report of Fall of Summer Festival 2017

Festival report of Fall of Summer Festival 2017 –  Torcy, France; 8-9th of September 2017

Report by Estelle on the 12th of October 2017

foslineup.jpgIn spite of last-minute band cancellations as well as some unpleasant weather conditions, Fall of Summer turned out to be again one of the most varied and quality festivals of the year. It seems that more and more metal enthusiasts recognize this fact: Not only attended this year markedly a lot more fans of black, death, thrash, heavy and doom metal than in the previous years, but the visitors’ scene also got much more vivid and international.

FRIDAY, 08.09.2017

Broken Hope, starting at 14:15, showed us into what we can expect from the festival death metal-wise with some serious massive riffs and rotten, pestilent growls. Their setlist was very diverse consisting of songs off their older as well as newer titles; all played with violent energy.

German speed/heavy/power cheese-kings Grave Digger took over. Starting with the title track of their newest (and most definitely not strongest) album ‘Healed by Metal’ from 2017 I was already considering leaving, and merely with two songs off their 80s’ classics, Witch Hunter and Heavy Metal Breakdown, they did not come close to convincing – not to speak of Boltendahl’s non-consistent voice and the “clap your hands”-style encouraging. They are trying, which is undeniably respectable, even though one sometimes wishes they didn’t.  

Fortunately, the unique experience of witnessing a (Tribute to) Sortilège show among the French not only eased my misery but also gave back my enthusiasm for the rest of the day: One could not extract themselves from this huge French karaoke nor from acquiring a part of the warm, collective feeling coming with it.

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(Ttribute to) Sortilège| Photo: Estelle

Vocalist Alexis d’Hürlement accomplished the effortful task of having to take the place of genious starting Sortilège singer Zouille with ease and joy, stealing the show even from the three original members showing up on stage for the single closing song, Marchand d’hommes. It can be contemplated on why the long-announced three original members (drummer Jean-Philippe Dumont aka ‘Bob Snake’, bassist Daniel ‘Lapin’ Lapp and guitarist Didier ‘Dem’ Demajean) only made an appearance for one song at the very end, on why it seemed like it was simply a duty for them or on why the group did not play ‘seen-as-obligatory’ titles such as Chasse Le Dragon or Mourir Pour Une Princesse; however, I was personally so amazed by being able to hear the well-composed setlist live with Hürlement’s fitting voice that I rather concentrated on enjoying the moment.

(Tribute to) Sortilège’s setlist on the 8th of September 2017, Fall of Summer festival, France:

  1. D’ailleurs
  2. Progéniture
  3. Métamorphose
  4. Quand un aveugle rêve
  5. Messager (w/ Gil Di Bravo)
  6. Gladiateur
  7. Sortilège
  8. Délire d’un Fou
  9. Marchand d’hommes (W/ Bob Snake, Daniel ‘Lapin’ Lapp and Didier ‘Dem’ Demajean)
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Merciless | Photo: Estelle

My cheerfulness boosted as after the last notes of (Tribute to) Sortilège I again became conscious of the fact that I am going to catch Merciless for the second time: The Swedish death/thrash veterans have reformed last year for a handful of dates across Europe before splitting definitively at the end of 2017.
How their show was? Nothing but Pure Hate. Regarding their energy and the quality of their performance, they gave a show that was comparable to the one given at the Swedish Muskelrock with nonstop savagery, insane speed and not a moment to breathe. On a side note, even though the audience seemed to be more into the show as on Muskelrock, the pit still didn’t turn into the biggest one on the festival – which I did not let distract me from how I personally enjoyed the show. A chain of cruel shows like that for a year before saying goodbye to the industry: real tricky, Merciless, real tricky!

Getting into the crowd of the French progressive rock group Magma after a Merciless gig is like slipping into a pot of warm, steaming, whirling soup as a portion of carrots after already being peeled and chopped.
Magma, reflecting my expectations, completely hypnotised: it is not every day you have the chance to see a symphonic rock band with jazz elements, singing most of their lyrics in a constructed language, Kobaïan. Eerie, impressive and engaging enough to get you completely forget about the rain.

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Île de loisirs de Vaires Torcy | Photo: Estelle


Meanwhile we were spending a bit of time in our tents trying to (unsuccessfully) dry ourselves off, Blasphemy took over, not giving a damn about the pouring rain nor the audience’s religious views, managing to attract and override many enthusiasts with their unmistakable, profane music, lyrics and attitude. Studs, bullet belts, inverted crosses, corpsepaint and the obligatory evening-hour sunglasses highlighted the experience of seeing the satanic Canadian death/blackers live.

Blasphemy’s setlist on the 8th of September 2017, Fall of Summer festival, France:

  1. War Command
  2. Blasphemous Attack
  3. Gods of War
  4. Darkness Prevails
  5. Desecration
  6. Nocturnal Slayer
  7. Emperor of the Black Abyss
  8. Hording of Evil Vengeance
  9. Goddess of Perversity
  10. Weltering in Blood
  11. Blasphemy
  12. Fallen Angel of Doom
  13. The Desolate One
  14. Demoniac
  15. Atomic Nuclear Desolation
  16. Empty Chalice
  17. Ritual

The celebrated Canadian speed/thrash group Annihilator followed with a rather typical but not in any way dull festival setlist with lots of old-time classics such as Set the World on Fire, W.T.Y.D., Alison Hell, Phantasmagoria and Human Insecticide, besides the characterless newer titles. I am curious if Jeff Waters ever gets to the idea of playing the whole ‘Alice in Hell’ record live within a (festival)tour, much to the delight of the long-term fans; until then we ought to content ourselves with their (still decent and very much enjoyable) current shows.

Primordial are a band that consistently manage to give back the atmosphere and spirit of their records live while also retaining the quality of their sound. As the last act, the Irish group gave this particularly bleak and wet day a graceful and pleasing end with a well-chosen setlist together with their perceivable dedication. Always a pleasure.

Primordial’s setlist on the 8th of September 2017, Fall of Summer festival, France:

  1. Intro
  2. Where Greater Men Have Fallen
  3. No Grave Deep Enough
  4. Babel’s Tower
  5. As Rome Burns
  6. Gods to the Godless
  7. The Coffin Ships
  8. Empire Falls


SATURDAY, 09.09.2017

As Saturday’s first, I went to see Toxik in the foreday’s mud. Expanded with their three new tracks off their 2017 EP ‘Breaking Class’ we got all the relevant 80s’ songs delivered, played decently but not as enthusiastically that I would have felt the need to get myself further into the crowd. It was, however, certainly heart-warming to see that after years and years of a break the US thrash band enjoys being on stage so much and that frontman Charles Sabin cannot thank the crowd enough for coming – Not to mention their action of inviting a French fan onto the stage to help them with the guitars on False Prophets.

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Count Raven | Photo: my good friend Gábor Oláh

I did not exactly know what to expect from Count Raven’s live performance. So what did I get? Surprisingly engaging, gloomy, harmonized riffs with not at all banal or worn-out lyrics, coupled with the feeling of tranquillity and the sand below my feet standing at the Blackwaters stage on the lakeside. Everything they do feels real: with a presence and setting much less theatrical than by bands of the same genre (see: Candlemass), the Swedish Count Raven managed to both convey the message they meant to through their music and show us how sincerely they mean it. Anytime again!

 


Moving on to Bulldozer, one of the groups from the high-class lineup that I was hoping to see live for years already, I found myself standing on side of the stage-separating hill in the drizzling rain, staring at A.C. Wild and his group from underneath a yellow bin liner-like raincoat and being mesmerised. A strong, fierce performance with engaged people moving around, where fortunately even the weather did not succeed to make it difficult to interpret A.C.’s words “It’s fucking whiskey time!”, AS IT WAS ALREADY FREAKING WHISKEY TIME. Show: 9.5/10, Weather: 3/10, People who gave a damn about the weather on average: 1/10.

Bulldozer’s setlist on the 9th of September 2017, Fall of Summer festival, France:

  1. Neurodeliri
  2. IX
  3. Desert!
  4. Ilona the Very Best
  5. The Derby
  6. Impotence
  7. Minkions
  8. The Final Separation
  9. Ride Hard – Die Fast
  10. Whisky Time
  11. Willful Death
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Demolition Hammer | Photo: my good friend Gábor Oláh

Always tearing every stage and crowd apart, Demolition Hammer did not let us down this time either. Overwhelming power and tight thrash riffs at lightning speed with corresponding (but mostly moshing and fighting) fan-reaction: the old school US-thrashers once again managed to become the most impressive act of a festival, leaving absolutely no chance for the nomination for the upcoming bands.

 

 

Demolition Hammer’s setlist on the 9th of September 2017, Fall of Summer festival, France:

  1. Skull Fracturing Nightmare
  2. Carnivorous Obsession
  3. Hydrophobia
  4. Neanderthal
  5. Omnivore
  6. Infectious Hospital Waste
  7. Aborticide
  8. Human Dissection
  9. .44 Caliber Brain Surgery
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Morbid Saint | Photo: my good friend Gábor Oláh

As the first notes of the starting Destruction System could be heard, we were hurrying to the Sanctuary stage to get our heads ripped off by another American thrash-pioneer group Morbid Saint. As after the introduction of two decently written new songs (Flesh of the Disease and Daku) recent vocalist Cliff Wagner announced that they are about to play the whole ‘Spectrum of Death’, I was blown away, I thought they bought me and that there would be no place for critique in the concert report afterwards. I was wrong: The fact that the only original member who partook in the makings of their demos and ‘Spectrum of Death’ is guitarist Jay Visser, has its strong effect not only on the band’s image but also on its sound, together with the members’ engagement. As I see it, Cliff’s hardcore appearance and vocal-style does not fit the fans’ idea of 80’s Morbid Saint either, which results that one of the most brutal thrash metal records of all time played in its entirety live sounds ungenuine and flat.

Due to the hustling-bustling audience, Coven’s show showed an utter contrast regarding the attitude and overall feeling to their gig on Muskelrock. On Muskelrock every single bystander-listener behaved themselves quiet, engaged and observant and so not only they, but also the band was able to empathize the theatrical obscure, ritual-like mood that is relevant for a Coven show. On the contrary, at Fall of Summer the audience was loud and chatty, not giving the band the chance to deliver a spirit of obscureness. Uncommonly, vocalist Jinx was even talking, storying, introducing the band and thanking the audience for coming between the songs, which absolutely contradicts one’s expectations of a show of the American psychedelic rock band.

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Coven | Photo: my good friend Gábor Oláh


Even despite the fact that Jinx with her 67 years is understandably not able to sing the higher tones anymore, her presence on stage can by no means be overlooked: Stepping out of her famed-for coffin; wearing her glimmering masque and scenically getting rid of it after the first few songs; tenaciously standing in one place for the whole concert-duration with no sudden moves, just the slow, gentle, (Wicked) Womanly hand-movements.
Even though the show was not free of defects and mistakes (e.g. error message at the screen at the back of the stage displaying rituals), hearing this top setlist – from where the only song that I personally missed was Lost Without a Trace – and going through the Coven-experience live still made me feel it was magic.

Coven’s setlist on the 9th of September 2017, Fall of Summer festival, France:

  1. Out of Luck
  2. Black Sabbath
  3. Coven in Charing Cross
  4. White Witch of Rose Hall
  5. Wicked Woman
  6. The Crematory
  7. Choke, Thirst, Die
  8. Black Swan
  9. Dignitaries Of Hell
  10. F.U.C.K
  11. Epitaph
  12. Blood on the Snow

Marduk‘s setlist on the 9th of September 2017, Fall of Summer festival, France:

  1. Frontschwein
  2. The Blond Beast
  3. Of Hell’s Fire
  4. Materialized in Stone
  5. The Levelling Dust
  6. Throne of Rats
  7. Cloven Hoof
  8. Wartheland
  9. Legion
  10. Wolves
  11. Panzer Division Marduk

To my sadness, the festival ended for me with an exceptionally disappointing Venom show.

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Cronos | Photo: my good friend Gábor Oláh

Not only did Cronos have constant problems with the sound, but he even let the audience have a look behind the scenes by behaving himself extremely unprofessionally. Whispering something to the soundman every two minutes, changing bass guitars three times, making perplexed announcements like “As you can see we have some problems here *hehe*”: Am I the only one who does not feel any Satan or black metal here?

Comical, out-of-context fire effects, the abuse of the original lyrics, unenjoyable dull singing, puzzled faces and the feeling of disappointment. The man of the show who even managed to ‘save’ the situation to some degree was drummer Danté with his overwhelming energy, showing he is having fun at what he is doing, making crazy faces at photographers and simply trying to distract our attention from Cronos’ obnoxious unprofessionalism.

 

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Danté | Photo: my good friend Gábor Oláh


Surprise of the day: The fire effects without proper music are apparently not enough to satisfy the needs of thousands of Venom- and evil-hungry people.


And now, to sum up…

Strongest standout bands: Demolition Hammer, Bulldozer, Merciless, (Tribute to) Sortilège

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Île de loisirs de Vaires Torcy | Photo: Estelle


Main impressions:
+ still an excellent location; high-class lineup; no delays; decent sound; a great variety of genres; open-mindedness
– pricey and not-that-tasty beer; no shelter from the storm; music genres in the after parties ranging from 80s pop to Rammstein

Recommendations: Go!

Find more information at: http://fallofsummer.fr/
Photos were used by ‘Estelle’. Special thanks for his generous help with the photos to my good Hungarian friend Gábor Oláh.

Festival report of Fall of Summer 2016

Festival report of Fall of Summer 2016  Torcy, France; 2-3rd of September 2016

Report by Estelle for Metalegion Magazine on the 7th of Januar 2017

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In the beginning of September 2016 I visited the Fall of Summer festival near Paris, France. Because of the exquisite lineup and also because of paying a fortune for the whole trip regarding that it out of many reasons turned out to be a last-minute decision for me, I had high expectations towards the bands expectations that, as luck would have it, proved themselves true on the whole.

Even though the fest is called ‘Fall of Summer’, personally it belongs among my most “summery” experiences last year due to the stunning location on a sunny beach right next to a lake and with sand below our feet at one of the 2 stages. Fall of Summer in France is thus not a festival one should miss who has an affection for dreamlike places with the comical twist of being able to see a large number of appealing bands from the most various genres of metal on the spot.

The band that I first got to see from the incredible lineup right as I arrived to the venue were the old French heavy/speed heroes, ADX. Even though one can and should still appreciate the enthusiasm they themselves still possess and gladly show to the fans on stage, it does unfortunately already show that we are not writing 1985-86 anymore. The two new songs from their newest album they started their set with (‘La Mort en Face’ and ‘La Complainte du Demeter’) did not manage to establish the mood and feeling one needs to hold at an ADX gig, and unfortunately I had the feeling they were not able to do that afterwards with their old classic songs either. The passion would still be there, however, the physical part the voice and the speed are not able to support the mental section anymore.

Manilla Road, on the other hand, did not disappoint this time either: they brought us the expected level even despite the little ragged beginning which was the effect of the absurd heat and the band being anyways somewhat tired. After getting even more heated up and getting to the ‘feel’ through the interest of the fans they with no doubt always call forth; with the classic Crystal Logic songs Manilla Road permanently managed to focus on the mood that actually they themselves created and so the band’s and the fans’ energies moved along hand in hand afterwards, complementing and expanding each other.

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Manilla Road – Photo: Estelle


Mark “The Shark” Shelton’s solos are still just as sharp-edged and beautiful sounding as ever, and as expected he took over the microphone for a few parts this time on stage as well. Despite the years’ strong effect on the 58-year-old founder & guitarist and his voice; we can still recognize the incredible high-level commitment, engagement and “let’s-do-it”-attitude on his face paired with his tender yet majestic glance which shadows it out how important Manilla Road and the fans for him are, and which makes him an uncommonly lovable and honourable musician.

After Manilla Road Polish death metal band Vader started literally in 5 minutes on the Blackwaters stage and showed us they are still after so many years right on track and ripped our heads off with some real death metal tunes.
Their setlist was particularly mixed: they presented us a group songs from their early era like “Dark Age” from the classic The Ultimate Incantation and songs from the following De Profundis, giving us the strong old school core of their performance. They didn’t leave neither the popular Litany nor the 1997 record Back to the Blind out, and picked songs from their newer releases Impressions in Blood (2006), Welcome to the Morbid Reich (2011) and Tibi Et Igni (2014) as well. We also had the chance to already hear the two newest songs from their album The Empire released in November 2016, ‘Prayer to the God of War’ and ‘Parabellum’.
They still have the dynamism and are in control of themselves on stage; I did not expect much at first but was positively surprised by Vader’s performance.

We once again did not have any chance to recover as my personal largest surprise of the festival, the impressive Riot V kicked off at the big Sanctuary stage. They presented us in honour of the passed away guitarist & main songwriter founding member of the band, Mark Reale a perfect oldschool setlist with each one of the classic songs one is eager to hear on a Riot (V) concert, including a lot from their evergreen record Thundersteel. Even though the two elderly members, bassist Don Van Stavern and guitarist Mike Flyntz just hit 51 & 53, completed with “girls-dreams” vocalist Todd Michael Hall the guys showed how astonishingly fresh, youthful, catchy and tight they are just as much on their newest neat 2014 album ‘Unleash the Fire’ as live. They simply know what the fans want and also give that to them without a hint of artificialness; being committed and respectful towards the old lineup of Riot and towards the crowd the whole time and also representing that by not wanting to shove the new record down our throats but instead concentrating on what people from Riot actually want to hear. Admirable.

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Riot V – Photo: Estelle


Riot V’s setlist on the 2nd of September 2016, Fall of Summer festival, France:

  1. Narita
  2. Ride Hard Live Free
  3. Fight or Fall
  4. Johnny’s Back
  5. Bloodstreets
  6. Angel Eyes
  7. Flight of the Warrior
  8. Metal Warrior
  9. Road Racin’
  10. Warrior
  11. Swords and Tequila
  12. Thundersteel

A complete turnabout and a full switch of genres: Samael came onto stage. I would rather describe the Switzerland black metal band’s performance as interesting instead of good as they even brought the electronic instruments into their older black metal songs. They had a flawless oldschool setlist though consisting of songs picked only from their first 3 albums, what the fans also welcomed and appreciated on the gig.

As the last act of the night again from a contrasting genre, American thrash group Whiplash were about to pound us with aggressivity into the ground. If they succeeded?
The guys possessed the right amount of energy & raw aggressivity as well as a perfect sound for a thrash gig and still, maybe because of the lack of communication between the band and the crowd both regarding talking/encouraging between the songs and the way of behaving on stage, or maybe the formal conventionality of their way of playing, Whiplash’s gig did not come through perfectly as expected. One (as I would usually expect it) could not lose his/her mind completely over the few tight and thrashy best-of songs they could scrape together from Whiplash as the band simply played them casually, routine-like with the rightly measured amount of energy, which unfortunately took a little bit away from the experience.

Compensating that as well as deducting the stress of having to see such an amount of bands on one day (poor us), we went and showed the French how to drink.

– – –

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Grim Reaper – Photo: Estelle

The second day started for me with a sunny Grim Reaper. I could have barely imagined the amount of energy Steve Grimmett and the whole band of his actually still have and similarly could I have barely imagine a more classic setlist including really every classic track from the early albums one is eager to hear on a Grim Reaper gig. Even in spite of the somewhat unnecessary Dio-cover (‘Don’t Talk to Strangers’) that they apparently can never leave out, and even in spite of the exaggerated encouragement of the crowd that occasionally did get a smile onto our faces, I can say I was positively surprised on account of Grim Reaper’s live performance. Steve has tons of experience, he knows how to handle the fans and last but not least: finally a veteran group where we cannot complain about the lack of vitality when it comes to playing as speedy as they should!

Grim Reaper’s setlist on the 3rd of September, Fall of Summer festival, France:

  1. Rock You to Hell
  2. Night of the Vampire
  3. Lust for Freedom
  4. Wrath of the Ripper
  5. Fear No Evil
  6. Liar
  7. Rock Me ’till I Die
  8. Don’t Talk to Strangers (Dio cover)
  9. Waysted Love
  10. See You in Hell
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Nifelheim – Photo: Estelle

No rest for the wicked – here comes Nifelheim. If I say they were the only band by whom I indeed entirely forgot about the fact that I am standing on a beach with sand gently tickling my feet, instead at some point simply realised getting lost in the tremendous, menacing obscure spirit that they created and that we all so craved on this shiny bright day…; I said enough. Terrific, pounding and shredding black/thrash brutality streaming right at our bodies without any break just how a Nifelheim gig shall be happening right from the moment the band gets on stage and plays the first note.

After this giant hit of cruelty I was still able to get myself together to curiously walk over to the big stage where Karl Willetts’ (singer of Bolt Thrower) newly founded death metal band, Memoriam gave their third concert ever. Thanks to Karl, ex-Bolt Thrower-drummer (1986-94) Andrew Whale, Benediction bassist (1991-present) Frank Healy and Benediction guitarist (2015-present) Scott Fairfax, they sound prominent and besides presenting us some good old BT-riffs and drum samples in the new tracks (along with 2 Bolt Thrower cover songs ‘Spearhead’ and ‘Powder Burns’), they assure us about having some new, catchy own ideas up their sleeves as well.
Karl still appears completely drunk on stage and still does not care about it, he does however very much care about the crowd and sings (growls) enthusiastically with love and respect towards the people who are curious about them.

During the following Dead Congregation I decided to take a little break finally as we still had Exciter, Unleashed and Tankard left for the day, but I still was listening while getting something to eat in the festival area: They played as always energetically and tightly with a few real catchy modern death metal riffs.

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Estelle doesn’t like waiting if it comes to Exciter

And now again with full-on power I was ready to cordially welcome the moment for which I was waiting and by reason of I decided at all taking the risk and travelling to the festival: Exciter was willing to tear my head off with nothing else but their over-the-top classic setlist from the ‘80s.
Incredible how physically fit vocalist-drummer Dan Beehler still is. I have always admired yet could never fully understand how one can have such a level of concentration and attitude to play the drums and keep his head straight while singing the ripping fast top-notch speed metal songs at the same time; however, Beehler manages that even after 37 years of playing without any problem. Only his voice started to give up and fade sometimes, especially for the end of the gig at the high-pitched notes, which for me personally still did not take from the experience of seeing the genre-creating speed metal gods playing with such dynamism, love and respect towards the people, towards each other and the whole industry live. Guitarist John Ricci and bassist Alan Johnson are similarly still particularly ‘on-track’, keen on playing while not being able to wipe the smile off their faces.

The most classic lineup and the most classic setlist ever matched with a huge amount of energy, enthusiasm and SPEED: Ladies and Gentlemen, this is what we expect to see from Exciter.

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Exciter – Photo: Estelle


Exciter’s setlist on the 3rd of September, Fall of Summer festival, France:

  1. I Am the Beast
  2. Rain of Terror
  3. Stand Up and Fight
  4. Iron Dogs
  5. Heavy Metal Maniac
  6. Pounding Metal
  7. Violence & Force
  8. Beyond the Gates of Doom
  9. Long Live the Loud
  10. Under Attack

After going into ecstasy over another band came the Swedish death metallers Unleashed. They, similarly to Vader, had an absolutely mixed setlist with a high level of variation and presented us songs from almost every album of theirs from the first until the very last 2015 one. Just as on Brutal Assault 2014, the gig was absolutely energetic again reaching its top with the two powerful ending songs, ‘Hammer Battalion’ and the obvious ‘Before the Creation of Time’.

As the closing act of the incredibly intense festival where I sometimes had the feeling with so many engaging bands we never get a real break, I went to see the old German thrashers Tankard. The crowd expectedly went crazy and started singing along and moshing right away to their classic opening track ‘Zombie Attack’ and did not finish until the band walked off stage. Vocalist Gerre showed great energies by running up and down the whole time, maintaining a pleasant vibe and topping that, later facetiously showing his (beer-)belly. The German beer-lovers kept going on with songs like ‘The Morning After’, ‘Chemical Invasion’ or ‘A Girl Called Cerveza’; they let us hear a bit from their newest album R.I.B. from 2014 and, giving a frame to their gig, they closed the show as well as the event decently with the strong ‘(Empty) Tankard’ from Zombie Attack.


And now, to sum up…

Strongest standout bands: Manilla Road, Riot V, Nifelheim, Exciter

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Blackwaters stage


Main impressions:
+ excellent location; prominent lineup; decent sound; a great variety of genres; open-mindedness
– pricey and not-that-tasty beer; location hard to find for French taxi companies in case you want to be at the airport by 5 am

Recommendations: Go!

Find more information at: http://fallofsummer.fr/
Photos were used by ‘Estelle’.