IN SOLITUDE. Not a hint of desperation or artificialness

insolitude

In Solitude – In Solitude (2008)

Review by Estelle on the 2nd of July 2015

First part of the In Solitude-review series as a tribute to the band after their break-up.

TRACKLIST

  1. In the Darkness
  2. Witches Sabbath
  3. Kathedral
  4. Beyond is Where I Learn
  5. 7th Ghost
  6. Faceless Mistress
  7. Temple of the Unknown
  8. The Monolith

RELEASE DETAILS
Genre: Heavy Metal

Label: High Roller Records
Country: Sweden
Date: December 22nd, 2008

LINEUP
Pelle Åhman – Vocals

Uno Bruniusson – Drums
Gottfrid Åhman ­– Bass
Mattias Gustafsson – Guitars
Niklas Lindström – Guitars


insolThe five-piece Swedish heavy metal band In Solitude (formed in 2002, split up in April 2015) is one of the few bands I can think of who have three albums out, all of them showing a different side of theirs yet each being fully characteristic, representative and outstanding in their own way. On their debut In Solitude the band put the stress on instinctiveness, catchiness and simplicity – very much to fans’ delight.

As album-opener In the Darkness strikes, the first thing our ears spot is the odd, drawling, low-pitched voice of Pelle Åhman – then come the simple yet fresh, well-written and catchy riffs that keep flowing and flowing through each song until the very end, taking over the lead and turning out to be the most important component of the record.
The album consists of melodically complex songs with mesmerizing tunes in the veins of 80s heavy metal, surrounded by a great deal of mistery and obscureness. Even though In Solitude is a far cry from a ‘copy-band’, we cannot ignore the obvious Mercyful Fate/King Diamond influences both appearing in the vibe, melodies and lyrics of the album (e.g. Witches Sabbath). The lyrics include occult, otherwordly, mystical themes with no signs of irony or silliness, keeping the listener from not taking them seriously.

Everything fits together astonishingly: the ominous voice of Pelle, the harmonized instruments, the strange yet matching combination of the energy and freshness and the misty, gloomy atmosphere. To my great surprise (as I’m personally not the largest fan of modern sound), on the Swedish guys’ debut even the clear production is appropriate as it gives an edge to the dark, cold, haunting tone of classic heavy metal In Solitude managed to capture perfectly, making the Mercyful Fate-like gruesomeness come alive.
Everything is cohesive, natural and straight to the point – not a hint of desperation or artificialness, no ballads, no useless experimentation; instead vivid riffs, meaningful lyrics, innovative power, non-repetition and a massive amount of passion. It all sounds so effortless that we can question ourselves why no one came up with as brilliant ideas in our days as the ones In Solitude present on their debut.
By means of the lively riff-flow throughout the songs kept interesting by the tempo changes, In Solitude turns out to be an album which is catchy, easy to get into and to digest and is still absolutely enjoyable.
If you were asking yourself where the good albums are nowadays or if you simply need an authentic, exquisite cut of first class heavy metal: you have found what you were looking for.

Outstanding tracks: Witches Sabbath, Kathedral, Temple of the Unknown, The Monolith

10/9.5

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